![]() This console like the rest of the ML series is very easy to use and set groups and so on. It has 6 auxiliaries, a good EQ, high pass filter and 8 group faders and much more. The ML 3000 as seen in image two has 48 separate channels. These consoles are analogue and were very sough after when they were released. This means even a number of engineers hire together to do a gig could put their separate consoles together to make one large one. This is more than enough for any application in a live situation. You could use two 24-channel consoles together with a 48-channel console to create a large 96-channel console with many different channel configurations. The company has a series for the amateur sound engineer with a low budget the VCA ML series designed is such a way that you have the option to expand the mixer using a sidecar system. Their products can be seen in Theatres, nightclubs, radio and TV stations, studios and concerts etc.Īllen and Heath have a large selection of professional and amateur products available from 12 channels up all the way up to 48 channels and in the last number of year’s digital consoles also for professional concert applications. Now Allen and Heath is probably one of the best know designer and builders of professional live and recording mixing consoles. Allen and Heath is best known for its new design ideas, extremely good build quality and great audio quality. A stereo balance control for the stereo mix bus.Allen and Heath are a very successful English company that designs and builds professional live, studio and DJ sound mixing consoles. A stereo balance control for stereo mix buses. Global control to feed all channels before (pre) or after (post) the main LR fader level. Global control to assign or unassign all channels.Choose from where in the Input Channel processing the signal is sent to the bus. Select the mix and press the Routing key, then press the settings button on screen (above DCA assign). ![]() Settings are available in the Routing page for every mix bus. When the Sel key is on, the channel is set to Pre, when off, the channel is set to Post. ![]() Alternatively press and hold the Pre-Fade and CH to All Mix to view the Pre/Post settings for a selected channel. Pressing the Pre/Post key will determine whether the channel is sent to a mix Pre (before) fader, or Post (after) fader. Pressing the ‘On’ key will route that channel to a mix bus, alternatively press and hold the Assign and CH to All Mix key to view the routing for a selected channel, press the select key to route in or out to a mix. Select the Mix sends block to view the mix assignments, pre/post settings, pan and level settings for that channel. Select View on a group to display an overview of all channel assignments for a DCA or Mute group, scroll down to view more channels. Select an assign key to assign that channel to a DCA or Mute group. Select the DCA assign and Mute assign block to view the assignments for that channel. To the left of the settings is a trim for the direct out level. Choose here which stage in the signal the direct out taps from, and fader/mute settings. Select the Dir Out block to view global direct out settings. The Direct Out of a channel is commonly used for recording and networking and it is possible to route this signal to any output bus. The overview shows what assignments, routing, and levels are currently set. This displays the routing options for a bank of 8 channels, Direct Out settings, DCA and Mute group assigns, and mix bus settings. Press a fader strip Sel key and press the Routing key under the screen.
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